‘Crimson Peak’ (2015)
Directed by Guillermo del Toro
Screenplay by Guillermo del Toro, Matthew Robbins
Drama | Fantasy | Horror | Mystery | Romance | Thriller
Stars Mia Wasikowska, Jessica Chastain, Tom Hiddleston
Log Line: In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds—and remembers.
Don’t get me wrong—I liked this movie from the great Guillermo del Toro, a filmmaker I have admired since his amazing ‘Pan’s Labyrinth.’ And similar to that film, ‘Crimson Peak’ is beautifully crafted, like the china teacup Lucille uses to serve Edith her questionable tea. Unlike del Toro’s earlier effort, though, this movie felt distant and terribly formal to me—the Noble Style vs. a rollicking square dance. And, speaking of dances, there was no better scene to illustrate this aloofness than the one in which Thomas waltzes with Edith in front of her father.
There’s Horror and There’s HORROR
To me, the best horror is visceral, not mannered. Referring back to the Hollywood classics of the 1930s, ‘Crimson Peak’ felt closer to ‘Wuthering Heights’ than ‘Frankenstein.’ Sure, we get to see abominable CG apparitions, but even they are distant. They never really engage with Edith in a way that would induce sheer terror in a cultured young woman. Of course, I realize they are there to warn her, rather than scare her. But still … By now, movie audiences have been exposed to such fare as ‘Saw,’ ‘The Human Centipede’ and ‘House of 1000 Corpses.’ Pretty hardcore stuff, don’t you think? To my way of thinking, resurrecting gothic horror was a bit of a risk for everyone involved. Why did they do it?
That Damned Red Clay
I’ve seen a lot of horror movie devices over the years, but never clay. Usually, desolate places like Cumberland are filled with moors floating in a dense white mist. But clay? This didn’t really work for me. Sure, it was red and resembled blood, but …. They never really did anything with it—even when they had their chance in the cellar, which held huge wooden vats of the stuff. Maybe those scenes ended up on the cutting room floor. And as long as we’re talking about missed opportunities, what about Edith’s so-called writing? She managed to bang out one story and never really writes another word during the rest of the film. Okay, the movie is not about her writing, but the story would have worked just as well without it.
The Audience Has Spoken
‘Crimson Peak’ did not do well at the box office. As of this writing, it has earned $75M worldwide, according to Box Office Mojo, with a production budget of $55M. Compare that to Warner Bros.’ 2013 hit ‘The Conjuring,’ which to date has grossed $318M worldwide, with a production budget of $20M. To me, ‘Crimson Peak’ was a movie for another audience in another time.
In the trailer, the quote “Gorgeous and terrifying—it electrified me” is attributed to Stephen King. Terrifying? Really? Come on, Steve. I can’t imagine that anything short of an alligator chewing your fingers off one at a time would be terrifying to you. And certainly not this movie. Disturbing, yes—especially concerning the twisted relationship between Thomas and Lucille. Henry James would be proud. As I said, I liked ‘Crimson Peak’ but, sadly, I went into the thing wanting to love it.