Book Review—MORAL INFIDELITY

[Moral Infidelity Cover]For me, thrillers are the most satisfying when everything is at stake. Sometimes, authors concentrate on the mechanics of plot to carry the reader along a treacherous, dangerous path that may or may not lead to a new day. But what makes a story outstanding is when an author plumbs the depths of the characters involved—getting into their deepest, most troubling thoughts—and allowing the reader to understand better the motivations that drive them.

Moral Infidelity is such a book. Rebecca Warner has taken what could have been a routine thriller and turned it into something memorable. Her characters are smart, wealthy, and deeply flawed. And as they traverse down a road filled with hidden mines, they struggle toward the light. Some will make it. Others will lose their way forever. This book is an excellent, character-driven thriller—a great read.

Synopsis
POLITICS…LUST…LIES…BETRAYAL

What if an anti-abortion governor, who is determined to enact stricter abortion laws in his state, had an affair that resulted in an unintended pregnancy?

In this two-time award-winning thriller, Florida Governor Michael Romano becomes embroiled in an ethical dilemma that threatens to shatter his marriage and his political career. His mistress wants him and his baby, and she will publicly destroy him if he doesn’t leave his wife to marry her. He finds himself walking a moral tightrope, where a single misstep can irretrievably ruin his carefully-constructed personal and political life.

Choice takes on a whole new meaning for Romano as he attempts to untangle himself from his sticky web of deceit.

Suspense builds as Romano weighs his limited options while fighting to keep his political career viable as he pursues enactment of anti-abortion laws. Caught in the nightmarish consequences of his treachery and duplicity, Romano must make choices that will test the strength of his moral fiber to its limits…But will his choices lead to his salvation, or his ruin?

Buy Links
Amazon US
Amazon UK
Amazon Canada

Not Everything That’s Cheap Is Bad

[TMWID Box Set Ad]That’s right. Sometimes you can find a truly surprising deal—like the one I am offering. For the entire month of October, you can purchase TELL ME WHEN I’M DEAD: The Complete Trilogy at Amazon for a cool ninety-nine cents!

So, if you haven’t gotten into the dark, twisted world of Dave Pulaski yet, I suggest you skip the Cinnamon Spice Tic Tacs and buy this book instead.

Oh, and one last thing—when you’ve completed the journey, please leave a review. Good or bad—doesn’t matter. Reviews count.

Happy Halloween and happy reading!

Yes, I Am Ready to Buy!

The TELL ME WHEN I’M DEAD Summer Sale Is On!

[DIAYG 3D Cover (Small)]Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) is on sale everywhere. If you haven’t purchased Book Two yet, now’s your chance to grab it for $1.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Book Blurb
Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) combines the best elements of horror, dark fantasy and sci-fi, taking the reader on a relentless, tortured journey of survival that tests the strength of one man’s character and delves into the role Faith plays when he is confronted by the worst kind of evil—the evil in humans. If you like your thrillers dark and fast-paced, then read this mind-blowing sequel. And leave the lights on. “A shoot first then shoot again horror thriller of the highest order” (Simon Oneill)

[ETDWB 3D Cover (Small)]Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is on sale everywhere. If you haven’t purchased Book Three yet, now’s your chance to grab it for $1.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Book Blurb
Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is a dark fantasy, sci-fi thriller—a nonstop horror train—that will deliver Dave to the brink of Hell. Revenge is a powerful drug that can drive a man to do unspeakable things. But as he will learn, Faith can give him the courage to face death without fear. If you like your thrillers dark and fast-paced, then don’t miss the heart-pounding conclusion to this trilogy. “Faith and bravery band together to fight a horrific world turned upside down and inside out” (S.R. Mallery).

[TMWID Box Set (Medium)]Box Set: TELL ME WHEN I’M DEAD (The Complete Trilogy) is on sale everywhere. Now’s your chance to grab it for $2.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Tell Me When I’m Dead (Book One of TELL ME WHEN I’M DEAD)
And if you haven’t read the series at all, note that Book One is always free.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Happy reading!

EVEN THE DEAD WILL BLEED Is Free for Five Days!

[ETDWB 3D Cover (Small)]Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is free for download at Amazon March 23rd through the 27th, 2016. If you haven’t purchased Book Three yet, now’s your chance to grab it for free. Visit this link starting today and download the book to your Kindle.

 

 

Book Blurb
Dave Pulaski is headed to Los Angeles to kill Walt Freeman, the person responsible for devastating Tres Marias. But everything changes when he rescues Sasha, a Russian girl who escaped the facility where Walt was holding her. Pursued by a relentless ex-military sociopath working for Walt and by scientifically engineered humans who flay their victims alive, chances are that Dave will die before he can save Sasha.

Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is a dark fantasy, sci-fi thriller—a nonstop horror train—that will deliver Dave to the brink of Hell. Revenge is a powerful drug that can drive a man to do unspeakable things. But as he will learn, Faith can give him the courage to face death without fear. If you like your thrillers dark and fast-paced, then don’t miss the heart-pounding conclusion to this trilogy. “Faith and bravery band together to fight a horrific world turned upside down and inside out” (S.R. Mallery).

Tell Me When I’m Dead
And if you haven’t read the series at all, note that Book One is always free. You can download it using the following links:

Amazon
Barnes and Noble
iTunes
Kobo
Overdrive
Smashwords

Happy reading!

DEAD IS ALL YOU GET Is Free for Five Days!

[DIAYG 3D Cover (Small)]Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) is free for download at Amazon March 23rd through the 27th, 2016. If you haven’t purchased Book Two yet, now’s your chance to grab it for free. Visit this link starting today and download the book to your Kindle.

 

 

Book Blurb
After months of fighting the undead ravaging the town of Tres Marias, Dave Pulaski and his wife, Holly, catch a break when Black Dragon Security suddenly shows up to rescue them. But things are about to get worse. The virus is mutating. Now, driven to discover the truth behind the contagion while struggling to protect Holly and those closest to him, Dave is pushed beyond the limits of faith and reason.

Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) combines the best elements of horror, dark fantasy and sci-fi, taking the reader on a relentless, tortured journey of survival that tests the strength of one man’s character and delves into the role Faith plays when he is confronted by the worst kind of evil—the evil in humans. If you like your thrillers dark and fast-paced, then read this mind-blowing sequel. And leave the lights on. “A shoot first then shoot again horror thriller of the highest order” (Simon Oneill)

Tell Me When I’m Dead
And if you haven’t read the series at all, note that Book One is always free. You can download it using the following links:

Amazon
Barnes and Noble
iTunes
Kobo
Overdrive
Smashwords

Happy reading!

Ally Shields Interviews Me

Ally Shields, author of the Guardian Witch Book series, interviewed me recently and, let me tell you, it was a lot of fun. I hope you enjoy it …

Happy Wednesday, Booklovers!

This week we’re sharing coffee with horror writer Steven Ramirez and his zombies. And these are the blood-thirsty kind, so keep your wits about you. :)

Welcome, Steven. What would you like to drink?

STEVEN: Iced Caffè Americano year round.

Ally: Perfect. Coming right up. It’ll be ready by the time you’ve shown readers your bio.

BIO:
Steven Ramirez is the author of the horror thriller series Tell Me When I’m Dead. He has also published a number of short stories, as well as a children’s book, and he wrote the screenplay for the horror thriller film ‘Killers.’ To hear about new releases, visit stevenramirez.com/newsletter/. Steven lives in Los Angeles with his wife and daughters.

Tell me something unique that isn’t in your regular bio: “Many years ago in Pasadena, I ran into the renowned physicist Stephen Hawking, who was presumably on his way back to Cal Tech. I babbled something about how great I thought he was. Then his assistant wheeled him away. I’ve always regretted not having been better prepared.”

Author Website: http://www.stevenramirez.com/
Author Twitter: https://twitter.com/byStevenRamirez
Author Facebook: https://www.facebook.com/StevenRamirezWriter
Author Goodreads: https://www.goodreads.com/StevenRamirez
Author Google+: https://plus.google.com/+StevenRamirezWriter

Ally: Now we’re settled, let’s start off by talking zombies. How are yours like or different from those in other books and tv shows?

STEVEN: This is the third book in my horror thriller trilogy. When I started out the zombies were of the slow, shambling variety that anyone would recognize from Night of the Living Dead or The Walking Dead. But over the course of the story, the infecting virus evolved, and these creatures became faster and more cunning. By the time we get to the last book, they are blade-wielding sociopaths who like to hunt.

Ally: Needless to say, your zombies aren’t the romantic type. :) Let’s talk about something a little tamer. Tell us about your setting. Is it contemporary, such as in urban fantasy, or have you created an entirely different universe?

STEVEN: The Tell Me When I’m Dead series is contemporary, the first two books taking place in a fictional Northern California town called Tres Marias. For the third book I decided to move the action south to Los Angeles. Although the universe is recognizable to anyone who has lived in LA, there are elements that seem bizarre. For one thing, it rains like crazy throughout the book. Also, the fact that these maniacs are running around carving up people makes the story somewhat apocalyptic. To provide realism I tried using as many actual LA locations as I could. But I did take license with certain scenes for dramatic purposes.

To read the rest of the interview, please visit Ally’s blog.

Shaun of the Dead Meets a Tarantino Movie

[ETDWB 3D Cover (Small)]by Elisabeth Scherer

There is a fantastic book from my favorite reads shelf that hit movie theaters this weekend, Pride & Prejudice and Zombies. If you liked that book, or if you like face-paced zombie thriller/horror novels you might very well like the Steven Ramirez’s Even the Dead Will Bleed.

My Initial Thoughts:
When I was given this book as an option to review I was hesitant at first because it is the third book in the Tell Me When I’m Dead Collection by Ramirez. I worried that I would be put into the middle of the story and have no idea what was going on. The back of the book blurb intrigued me so much I thought I would go ahead and see if the book could be picked up and read without reading the other two books first. It does not disappoint and can definitely stand on its own without its predecessors.

Quick Plot Summary:
Dave is a man on a mission to kill the man responsible for the deaths of his wife, friends, and many others. He has lost everything and believes he has nothing else to do but take the bad guy down with him if it comes down to it. He has prepared to carry out his suicide mission, and yet the undercurrent of something coming. Things don’t always work out the way you imagine, hope, or plan. Dave finds this out first hand and finds himself thrust into the role of bodyguard for a Russian girl who escapes the very person who Dave is hunting. The hunter becomes the hunted and Dave finds him mission changes. Will Dave find something to live for after losing everything? Will the Russian girl evade those that are hunting her? Can faith and determination help you survive genetically modified super zombies? You’ll have to read Even the Dead Will Bleed to find out.

To read the rest of this review, please visit Girl Who Reads.

Adapting a Screenplay—Fun Times

[Scream Poster]
Photo Courtesy of IMDb
Early in my writing career I focused entirely on writing screenplays—something I would not recommend to the foolhardy. You see, unlike novels, screenplays serve absolutely no purpose if you can’t sell them. They sit in a pile in the corner of your home office collecting dust, instead of appearing with nice covers on Amazon. That said, if you are lucky enough to have a written a screenplay that sold (I did that once), you might be on your way to an actual career in the movie business.

But enough about fairy tales.

Horror Comedy, Anyone?
I want to talk about a particular screenplay I wrote a few years back that had to do with a fourteen-year-old girl, a nasty marital breakup and a behind-the-scenes look at an indie horror film. Sounds fascinating, right? At the time I really thought I could make that thing sing. Now, from a technical perspective the work was professional. But I was never really able to generate enough interest. So … I tossed it into the corner and allowed it to gather a nice patina of dust.

Until recently.

I’d been toying with the idea of adapting some of my screenplays into novels. I mean, why let all that good writing go to waste? And I decided that, because I had just come off a heavy horror thriller trilogy with lots of bloodshed, I would tackle a fun horror comedy … with somewhat less bloodshed.

Novelization, Shmovelization
I’m just about finished with the “novelization”—something I’d never done before. And let me tell you, it’s hair-raising. In screenplays, each page is a combination of slug lines, short descriptions and dialogue. That’s it. Try turning that into beautiful prose that descends on the reader like the first gentle snowfall in a New England winter. The process is quite instructive, though, and I am learning more about voice than I ever thought I would.

I’ll keep you posted on the progress from time to time, but it’s my goal to turn this thing into an enjoyable book that captures some of the craziness of living in LA, from the POV of a precocious teenager. Wish me luck.

Getting Away with Murder

[American Psycho Poster]Spoiler Alert!
If you plan on reading the TELL ME WHEN I’M DEAD series but haven’t gotten around to it yet, then stop right here! Go ahead—I’ll wait.

Okay, you know the title of this post is total clickbait, right? Admit it, though. It got your attention. Anyway, I want to talk about killing someone and actually getting away with it. Before you call 911, let me explain. I am a writer and I create characters. Many times the characters are expendable—bad guys, helpless bystanders … But sometimes I am forced to grapple with killing off a character who is not only central to the story but beloved.

This is what happened when writing my horror thriller trilogy TELL ME WHEN I’M DEAD.

Plotters and Pantsers
Before I go any further, I must tell you there are two kinds of writers—plotters and pantsers. Plotters like to create vast, detailed-filled outlines before writing a single word of their novel. When they are finished, they know exactly where they are going and how they will get there. Good for them. I hate plotters. Which brings me to pantsers …

We pantsers like to fly by the seat of our pants. We have only the vaguest notion of where we are going, and we have no frickin’ idea how we will get there. Welcome to my world, by the way.

Pantsers manage to move the story along through intuition and serendipity. When we are inspired, we happily travel in a westerly direction. When we are stuck, we curse and throw things and gain fifteen pounds. But here’s the dirty little secret—and it’s why no one in the history of writing has ever proven once and for all that plotters are better at writing than pantsers, or vice versa. Why?

Because we all end up in the same place.

Now, you could argue that plotters write faster because they already have the story down pat. But that’s not entirely true, since they must spend a fair amount of time creating their outline—a step pantsers like me happily skip.

So what does all this have to do with murder?

Death in Venice
I made the decision to kill off a main character in Book Two. And I did it after discovering she needed to be dead in order for the protagonist Dave Pulaski to fulfill his destiny in Book Three. For those of you who read Books One and Two, you’ll know I’m talking about Dave’s wife, Holly. And this was no easy task. Here’s the pivotal scene …

Holly stood there on the platform, paralyzed. Her slender body trembled. She couldn’t even cry. Next to her, Griffin and Fabian stood mutely, his fingers reaching for her hand and gripping it. I wanted to will myself to Holly’s side and made a move to reach her. The cop standing next to O’Brien pointed his rifle at my head. Warnick gripped my shoulder. Balls of red light streaked across my eyes. My heart raced. I wanted to rip out the throats of everyone who meant to harm my family.

“You took away everything from me!” the mayor said. “My wife, my sons … my future!”

“We didn’t kill your family,” Warnick said. “Someone attacked our convoy.”

The mayor let out a pitiful wail that echoed throughout the cavern. O’Brien eyed him uncomfortably. His voice softer, he said, “If you hadn’t come after me, they’d still be alive.”

Warnick wasn’t finished with him. “Why did you leave them behind? You could have saved them.”

“You don’t understand. This was supposed to be my ticket …” Choking up, he forced himself to go on. “It’s bigger than you can imagine. They got me out of there, they …”

“You abandoned your wife and children,” Warnick said, unafraid.

“They promised me,” the mayor said, weeping.

Overlapping voices echoed in the cavern, and I struggled to make sense of them. Sweat dripped into my eyes, and the vague forms of Holly, Griffin and Fabian wavered in front of me like ghosts in the harsh orange light, pleading with me to do something. I wiped my eyes, and Holly screamed. When I looked up I found her on her knees in front of the mayor.

“Dave!”

The mayor tore the weapon from O’Brien’s hand and pointed it at Holly’s head. My heart thudded—I couldn’t breathe.

“Dave, I love you! I’ll always love you!”

“Please,” I said. “Please don’t.” I wept, unable to control myself. I was completely helpless—at the mercy of a madman. There was nothing I could do.

“I lost everything,” the mayor said, his voice a monotone. “Let me show you what that feels like.”

It was a dream. The bullet—a .45, I think—left the chamber so slowly. I could see it spinning as it raced home to its target. Every thought in my brain vanished, my mind laser-focused on the deadly projectile. And when it struck my wife in the head, exploding out the other side in a burst of blood, brains and bone, I died for a little while. That picture—that memory of Holly—the impact of the bullet twisting her sideways and down into the dirt—that photograph is burned in my memory forever like a cattle brand. And it’s always accompanied by the sound of screaming—Griffin maybe—and Greta’s desperate, urgent barking.

It was a dream—I knew it was. Not real. A nightmare. But if it was, why couldn’t I wake up?

Because it was real. There was no escaping it—not this time. If I’d been holding my weapon I would have used it to join Holly. There wasn’t any point in going on. She was all I had lived for. Nothing else mattered. And the baby. So blessed to be conceived but not to be born. I fell to my knees and could only remain there, sobbing.

I’m sure you’ve heard of writers who weep when their characters die. After I wrote that scene, I cried like a baby. Really. I loved Holly deeply, and I wanted with all my heart to let her live. But she couldn’t. She had to die in order to give Dave the hate he needed to exact his revenge in Book Three.

Why am I telling you all this? Because I wanted you to know that writers do care deeply about our characters. When they suffer, we suffer. And when you think about it, doesn’t that make for a better reading experience?

Coyote Kishpaugh Interviews Me

Coyote Kishpaugh, coauthor (with Lauren Scharhag) of The Order of the Four Sons, interviewed me recently. Earlier this year Lauren wrote a guest post, which you can find here. With each of these interviews I peel away the onion a little more. I’m not sure what I’ll find when I get to the core, but it’s a fun ride. Enjoy …

Coyote: What kind(s) of books do you read? Do you have any favourites?

Steven Ramirez: As a writer, I love to read other peoples’ books. And my tastes vary a lot. On the one hand, I do enjoy horror. But I am also a fan of comedy—especially satire. One of my favorite horror-fantasy authors is Richard Matheson. As for comedy, I am still crazy about Kurt Vonnegut. Considering his rather tragic past, it’s a miracle he was able to produce so much humorous prose. I also love the classics—Jane Austen and Charles Dickens, especially.

Coyote: If you weren’t writing books, what would you be doing with that time and energy instead? Why?

Steven Ramirez: I would probably read a lot more books and watch more movies and television. When I was a kid, there was no Internet, so when I wasn’t outside riding my bike, I liked to read, go to the movies or sit in front of the TV. With the advent of Netflix, though, this tendency is becoming a problem. Writers are famous for procrastinating. Netflix and Amazon Prime are just what I needed!

Coyote: What first first inspired your writing of Tell Me When I’m Dead? How did the project begin?

Steven Ramirez: Well, I’ve been writing since I was a teenager. I’ve always wanted to write a story featuring zombies. But like George Romero’s ‘Night of the Living Dead,’ I didn’t want to do the zombie apocalypse thing. I liked that he treated his story as small and fairly isolated. So with that in mind, I set my story in a fictional Northern California town.

Here’s the funny part, though. That book was supposed to be a one-off. But when I reached the end, I realized there was still more story to tell. So I continued with Book Two. And of course, you cannot have a series without at least three books, so I completed the trilogy, setting the last book in Los Angeles.

To read the rest of the interview, please visit Coyote’s blog.