Recently, I had the pleasure of reviewing Moral Infidelity, a complex political thriller by talented author Rebecca Warner. Today, I am pleased to present my interview with her. In the words of Michael Romano, lucky son of a bitch!
Rebecca, welcome. It’s my understanding that you’ve read an extraordinary number of books in your lifetime. Can you talk about some of your favorite genres and how they have influenced you as a writer?
I began reading at a very early age, which allowed me to read so many books over my lifetime. My mother couldn’t punish me by sending me to my room, because I was perfectly happy just to be left alone to read. Throughout elementary school, junior high and high school, I would check out a new book every day from the library. I would do my homework, then read the book and return it the next day for another. My earliest real influence, discovered in junior high, was Victoria Holt, who wrote gothic novels. That led me to the classics authors, like the Bronte sisters, Daphne Du Maurier, Jane Austin and Oscar Wilde, to name a few. Though I didn’t read as much in college because I was a business major and had very little leisure time, I always had a book going. After college, as a young single woman in Miami, I went through the Danielle Steele and Sidney Sheldon and Jackie Collins phase. Then I revisited John Steinbeck, and was sort of reborn in terms of seeking out the classics, but this time more of the 20th century classics. Stephen King got my attention in the 1970s, and has kept it, and then James Patterson made me appreciate suspense/thrillers/mysteries, which became—and still is—my favorite genre. So I was especially pleased that Moral Infidelity, my first book, won the Bronze Medal for the category of Fiction: Thriller in the Readers’ Favorite 2015 International Book Contest.
Have you always written, or did you wake up one day after reading another great book and say, “I can do this too!”?
If I may tell a story about a specific incident in my life that influenced me to be a writer…
In the fourth grade, I was in a class that was classified as “accelerated,” though I never stood out in any way among the many truly smart children in my class. One day the teacher put up a picture of a little boy in red pajamas, sitting in front of a fireplace, holding a golden dog in his arms. We were supposed to write something about it—tell the story. I remember very clearly going to another place in my mind (I didn’t yet understand that “zone”) and writing words that seemed to come from outside of me. The teacher then had us read our papers, and as others got up and read theirs, I realized how different mine was, and I felt I had failed in the assignment. When the teacher pointed to me to get up in front of the class to read mine, I was terribly embarrassed. I tried to get someone else to read it for me, but she shook her head ‘no.’ So I had no choice but to read it, and when I finished, the room was very quiet. I looked over at my teacher, expecting a disapproving look, but instead she was looking at me with admiration and astonishment, and then she said, “We have a genius in our class.” Powerful words that kept me writing short stories and poetry and winning awards for them throughout my school years.
In reading your work, I’ve noticed that you like to dig deep into your characters. After reading Moral Infidelity, I feel I know Michael intimately. Is there a particular author who influenced you in this regard?
I mentioned John Steinbeck earlier. In my opinion, he delved into the human heart and mind like no authors before or since, though I must laud Dostoyevsky in that regard as well. Think Tom Joad in The Grapes of Wrath. Think Rodya in Crime and Punishment. Stephen King is also brilliant in that regard. The mental and emotional dissection of Andy and Red in TheShawshank Redemption is unparalleled in literature. With all of these authors, I was fascinated with the depth and the complexity they plumbed from their characters. All subconsciously influenced me in my writing in terms of wanting to write more complex and conscience-driven characters.
You know, this is a great question, because before now, I never really analyzed why it was so critical that I so thoroughly develop Michael Romano’s character in Moral Infidelity—his descent into darkness and depravity even as he functioned on a higher plane in a privileged world. Your question has caused me to do so! Thanks, Steven.
Are you interested in movies and television? If so, do they influence your writing?
I love movies and television, and am fascinated that writers can conceive of such great ideas and then execute them so perfectly through dialogue and action. But I can’t honestly say that any movie or TV show has influenced my writing.
I apologize in advance for the obligatory question, but what are you working on now?
The book I am writing now is a thriller based on a true-life event, though it is fiction. For decades, I had a Russian ballet teacher in Miami, Madam Renee, whom I loved and kept in touch with even after I moved to North Carolina. Every time I was in Miami, I would take her to a lovely restaurant, so befitting her appreciation of fine things which she could no longer afford. One day, I was picking her up to take her to the Biltmore Hotel for an elegant pool-side lunch. When I got to her home and she came outside, I was shocked and horrified by her appearance. Normally so stylishly turned out, she was disheveled, wore virtual rags, was emaciated, and had a big gash on her leg.
The patio attached to her home was encased in roof-to-ground iron bars, for security reasons. She had always come and gone through the keyed iron gate set within the bars, but that day she told me she couldn’t find the key. I knew that a man who had married and divorced her niece had moved in with her, which I always thought a bit odd, but she was glad to have the company and added protection. But because she had obviously declined to such a great degree since he moved in, I became suspicious and alarmed. She was literally like a prisoner, and when—at my urging—she called him at work to ask where the key was, he gaslighted her into thinking she was demented and had misplaced it. Something just was not right, and I immediately alerted my former ballet classmates, including one who is a lawyer, to find out more about this man, and Renee’s circumstances. It became evident through our inquiries and also public records that he had taken over her property and her life, and we all felt she was in danger.
And so the idea of the book I am writing now, Ballet Barres, was born, with the objective of Renee’s devoted students of twenty-plus years coming together these many years later to save her from whatever evil intent this man has. And yes, I delve into his darker side!
What if an anti-abortion governor, who is determined to enact stricter abortion laws in his state, had an affair that resulted in an unintended pregnancy?
In this two-time award-winning thriller, Florida Governor Michael Romano becomes embroiled in an ethical dilemma that threatens to shatter his marriage and his political career. His mistress wants him and his baby, and she will publicly destroy him if he doesn’t leave his wife to marry her. He finds himself walking a moral tightrope, where a single misstep can irretrievably ruin his carefully-constructed personal and political life.
Choice takes on a whole new meaning for Romano as he attempts to untangle himself from his sticky web of deceit.
Suspense builds as Romano weighs his limited options while fighting to keep his political career viable as he pursues enactment of anti-abortion laws. Caught in the nightmarish consequences of his treachery and duplicity, Romano must make choices that will test the strength of his moral fiber to its limits…But will his choices lead to his salvation, or his ruin?
Where to Buy
About the Author
Rebecca Warner’s educational and professional background was in finance and banking in Miami, Florida. After she and her husband moved to the beautiful mountains of North Carolina, Rebecca began writing articles for several local periodicals. Drawing upon her many years of advising the lovelorn and successful matchmaking, she also wrote a romance-and-relationship advice column. In 2014, she published her first book, Moral Infidelity, which won the Bronze Medal in the Readers’ Favorite 2015 International Book Awards’ thriller category, and Top 10 Honorable Mention in the 2015 Great Southeast Book Festival. Her second novel, Doubling Back To Love, was solicited for inclusion in a ten-novel romantic anthology, and her third book, He’s Just A Man, is a non-fiction self-help book for women seeking a mate.
Rebecca is a convivial feminist who blogs on her own sites and for The Huffington Post about topics of interest to women. She enjoys participating in podcasts and forums about women’s social, economic and political issues.
You can find Rebecca on Twitter, on Facebook, and at her website.