Wow, it looks like Spooky Mrs. Green is at it again. If you like witches, werewolves, and vampires, then check out her latest novel, Heart of the Vampire.
It is almost Halloween in Redcliffe, Cornwall, and Jessica Stone is not the woman she used to be. Her summer was hijacked by werewolves, she fell in love with a vampire, and now she is learning how to be a witch, and what it means to celebrate Samhain with her new coven. Her vampire boyfriend, Jack Mason, is busy at work as a police detective, and his identical twin brother Danny, the werewolf alpha, refuses to let go of the woman he has chosen to protect his pack.
Jessica must learn about control, power, and the love that she truly feels for her vampire boyfriend and his brother.
The Redcliffe novels series follow the adventures of bookshop owner Jessica Stone as she meets a man and falls in love, only to discover the hidden werewolf secrets of her close friends. That includes Simon Bunce, manager of the Ship Inn, who turns out to be lieutenant to the Redcliffe werewolf pack, and lover to the wolf alpha Danny Mason. He fights to protect his master from the ethereal animal familiar who threatens to claim their pack. Who knew the Cornish coast could be so deadly?
Find #TheRedcliffeNovels series in bookshops and online and request them in your local library. For buy links and more details, visit Catherine Green at http://catherinegreenauthor.blogspot.co.uk/ You can find her on Facebook, Twitter and Instagram as @SpookyMrsGreen.
The more I read YA fiction, the more I realize just how hard it is to be a kid nowadays. I won’t bore you with idyllic memories of roasting marshmallows around a campfire, but I will say that for many kids—and parents—today the world is a harsh, unforgiving place fraught with consequences. And this reality was never more evident than in the wonderful new novel by Rebekah Crane entitled The Infinite Pieces of Us. In it, she has given us Esther Ainsworth, a smart, soulful sixteen-year-old girl who has already lived far beyond her years and who is now forced to live in a dry, brittle desert that serves as punishment for something she did and whose secret must never be revealed.
As adults, we are well versed in the notion that we must accept the consequences for our actions. But we also lie—to ourselves and to others—to avoid those consequences, even if only for a while. In this story, Esther learns just how willing adults are to lie to keep the consequences at bay so we can live our lives as though nothing had happened. In such a world, Esther can’t rely on adults for guidance and must turn to her peers, hoping they can help. A touching subplot explores how Esther has fallen away from her sister, Hannah, who blames Esther for ruining her life by making the family move, even though it was their parents’ decision to do so. I found Hannah tragic and vulnerable and could easily picture a sequel starring her.
If you are a parent raising teenagers, read this book. Because these honest, hurt characters will tell you truths that your children will not—that what you see on the surface doesn’t begin to describe the pain and anxiety they carry inside like an even smaller hurt child.
Book Description From the author of The Odds of Loving Grover Cleveland comes a hilarious and heartbreaking novel about coming apart, getting it together—and moving on. It’s just a two-hour drive…
Pondering math problems is Esther Ainsworth’s obsession. If only life’s puzzles required logic. Her stepfather’s solution? Avoidance. He’s exiled the family to Truth or Consequences, New Mexico, to erase a big secret from Esther’s past. So much for the truth. Now for the consequences: an empty swimming pool, a water-sucking cactus outside her window, a goldfish rescued from a church festival, and Esther’s thirst for something real.
Step one: forget about her first love. Step two: make allies. Esther finds them in Jesús from the local coffee bar; a girl named Color who finds beauty in an abandoned video store; Beth, the church choir outcast; and Moss, a boy with alluring possibilities. Step three: confess her secret to those she hopes she can trust. Esther’s new friends do more than just listen. They’re taking Esther one step further.
Together, they hit the road to face Esther’s past head-on. It’s a journey that will lead her to embrace her own truth—in all its glory, pain, and awesomeness.
I suppose if I had been an English Lit major, I would have read this beautifully crafted classic years ago. But I never got around to it until recently. I don’t know what drew me to Anne of Green Gables, L.M. Montgomery’s tale of an extraordinary orphan who, by her very nature, continually amazes and confounds everyone in her path. Maybe it was because I have two daughters? Sure, let’s go with that.
What struck me more than anything is Anne’s indomitable spirit. And let me tell you, it’s so contagious that after finishing the novel, I realized that in some ways I had changed, demonstrating once again the power of words to move the human heart. I want to talk about three things I learned, and I hope that for those of you who have not read this lovely book, you will set aside the cozy mysteries and historical romances for a time and introduce yourself to Anne Shirley. Okay, let’s begin.
The Human Spirit Can Soften Even the Most Hardened Hearts By the time Anne arrives at Green Gables, she has charmed the socks off Matthew Cuthbert. This man is the classic strong, silent type, but in his heart burns an eternal child who, in some ways, longs to see the world as Anne does—a wondrous place full of mystery and promise. He had actually gone to the train station to collect a boy from an orphanage to help out at Green Gables now that he and his sister, Marilla, are getting on in years. But due to a mix-up, Anne was sent, and she is the one Matthew finds waiting for him at the station. At first, worried that he would now have to return Anne to the orphanage, he quickly decides that it might not be a bad idea to keep the girl. But he knows his sister, and Marilla surely won’t have it.
Marilla is interesting. Though she and her brother manage a small farm with all the work that entails, I really couldn’t see that things were that bad. There was always plenty of food, a warm house, and beauty all around them in Avonlea. Yet we find that Marilla is a dour woman who never permits herself even a smile. She acts severely, and to meet her, you would think circumstances were much worse. What’s interesting, though, is that secretly Marilla has a sense of humor she keeps to herself.
Despite Marilla’s temperament, Anne manages to convince her to let her stay and then, over the course of the novel, proceeds to soften Marilla’s heart to the point where the old woman can express love outwardly. No one—not even her brother—could do that. Anne’s incredible spirit has triumphed.
Never Underestimate a Girl Though only eleven when she arrives at Green Gables, Anne has already been through a lot. While being passed around from family to family, she learns some useful skills. But adults don’t believe children know anything, which is best illustrated by Mrs. Rachel Lynde’s attitude toward the girl at the beginning of the story.
At one point, Anne is forbidden to see her dearest friend Diana because, through no fault of her own, she served Diana homemade currant wine instead of raspberry cordial. When Mrs. Barry finds her daughter incapacitated, she ends the relationship on the spot, thinking Anne is a wicked, irresponsible girl who has gotten her daughter drunk on purpose.
Later, Diana’s little sister, Minnie May, comes down with croup, leaving the clueless babysitter “helpless and bewildered.” Mr. and Mrs. Barry are away and, as the child’s condition worsens, Diana panics and runs to Green Gables for help. Marilla is also away, and while Matthew goes to get the doctor, Anne accompanies Diana back to her house. Having babysat her share of children, Anne knows well how to treat croup and takes charge, administering regular doses of ipecac. By the time the doctor arrives, the child is sleeping comfortably.
When Mrs. Barry learns that it was Anne who saved her daughter, she happily agrees to allow Diana and her to stay friends.
Recognizing That Mistakes Are Necessary Is Very Grown Up Indeed Anne Shirley makes lots of mistakes throughout the book, exasperating Marilla and making her wonder how she ever let the girl stay. Some of them are funny, like the time Anne leaves a pie in the oven to burn because she is daydreaming. Others are more serious, as when Anne meets the judgmental Mrs. Lynde and screams in her face for insulting her. But in each case, the girl learns something. Take a look at this exchange between Anne and Marilla later in the novel when Anne is older:
“But have you ever noticed one encouraging thing about me, Marilla? I never make the same mistake twice.”
“I don’t know as that’s much benefit when you’re always making new ones.”
“Oh, don’t you see, Marilla? There must be a limit to the mistakes one person can make, and when I get to the end of them, then I’ll be through with them. That’s a very comforting thought.”
I’ve known plenty of adults who never figured that one out.
Wrap-Up In a way, Anne Shirley has changed my outlook. I tend to get stressed easily and constantly miss the everyday beauty around me because I’m always focused on getting the next thing done. After finishing the novel, I decided I am going to take more time, enjoy family and friends, and notice things. Yeah, I know. Corny, right? Well, it’s already made a difference. The trick is to keep it up, though. Often, I find myself slipping into old patterns—especially while driving. I sometimes wonder what kind of driver Anne would make. I mean, she does tend to daydream a lot.
Back to the big lesson I learned from reading Anne of Green Gables. It’s about finding joy in everyday things and sharing that joy with others. Not a bad way to live, if you ask me. Peace and love.
Okay, I thought this was such a great find, I had to share it. Check out this post from Literary Hub. By golly, I think I just hit the motherlode!
It’s finally October, which as we all know is officially the spookiest month—and thus the perfect moment to brush up on your literary horror bookshelf. Sure, it’s really on-brand for the season, but sometimes it actually is nice to accompany the new chills in the air with some new chills in your reading list. Horror writing is traditionally overrun by zombies men, but in recent years (and if you think about it, all along) women have been exploding the genre, writing entertaining, immersive, frightening novels and stories that run the gamut from high-brow, award-winning literary horror to bloody, murky genre masterpieces. So if you’re not sure where to start this season, here are a few recommendations of great writers of horror (the genre admittedly here broadly defined) to get you started. Of course, this is by no means a definitive list—one has to stop somewhere, lest the madness descend. On that note, please feel free to add on in the comments section.
Start with: Frankenstein; or, The Modern Prometheus
Most obvious (and most venerable) first. With the staunch prominence of male writers in the genre, it’s easy to forget that one of the earliest and best horror novels was written 200 years ago by a teenage girl showing off for her boyfriend and their friends. I’d say she won that famous campfire competition of who could tell the best horror story by a significant margin—unless you count what happened to Percy’s heart after his death. Actually, that was probably her story too, so she wins twice.
Start with: Broken Monsters
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South African writer Beukes is one of the biggest names in contemporary horror right now, and for good reason: her novels are intelligent, fast-paced, and leave you with that horrible sick feeling—you know, the one you read horror novels for. For me it was a toss-up between Broken Monsters and The Shining Girls, but considering I locate the nexus of horror in the Internet right now, I’d say start with the former, which opens with the discovery of a body in Detroit: a young boy, whose lower half has been cut off and replaced with that of a deer’s.
Start with: My Soul to Keep
“What I think readers should understand,” the beloved and brilliant Due said in an interview, “[is that] it’s not just that I like to scare people, although I do like to scare people, because I myself get scared, but I’m trying to take things that are not real, at least to me.”
I have not experienced—I have not had a ghost encounter, for example. So these are not experiences from my life. These are nightmare scenarios that actually act as metaphors for the real-life horrible things that happen to us every day.
All of us on this journey are going to sustain losses, and some of them are going to be quite, quite devastating. And I’ve always felt so ill-prepared for that. I think I decided to write about nightmare scenarios so often, really, to create characters who can walk me through the process. “This is what you do when your world falls apart.” And every book is sort of a re-examination of how all of us and all these characters have to triumph over whatever life throws at us.