Photo Courtesy of IMDb
Directed by Henry Hobson
Screenplay by John Scott 3
Drama | Horror | Thriller
Stars Arnold Schwarzenegger, Abigail Breslin, Joely Richardson
Log Line: A teenage girl in the Midwest becomes infected by an outbreak of a disease that slowly turns the infected into cannibalistic zombies. During her transformation, her loving father stays by her side.
You see, the thing about zombies is, they’re incredible boring. I’m pretty sure that’s why George Romero always chose to marry the “ghouls” in his stories with political commentary. I had to learn this lesson myself with my own horror-thriller trilogy. You cannot expect readers to embrace three novels—nearly three hundred thousand words—if all they have to look forward to is a bunch of drooling braineaters on the loose.
‘Maggie’ is not a zombie movie—not in the normal sense. Yes, there are zombies in it—in particular, the title character, played by Abigail Breslin. But these are not the undead we are used to. They are victims of a plague that has swept the planet and has made ordinary people sick—slowly. They may no longer eat, but they can still talk and think and love. They don’t shuffle, and neither do they move ultra-fast as in World War Z.’ They are simply people who are dying.
Against this backdrop you have a father, played beautifully and with quiet strength by Arnold Schwarzenegger, who is determined to keep his daughter not only alive, but safe for as long as possible. In doing so, he drives away his wife and their two small children, manages to earn the scorn of the police and quite possibly risks his own life. Because when the day comes that Maggie “turns”—and that day will come—he will be forced to either take her to a quarantine facility, where they will end her life with a death cocktail, or deal with her in his own way at home.
Family Is What Matters
If there’s one lesson that ‘Maggie’ teaches us, it’s that family and friends matter—especially in times of crisis. This movie didn’t have to be about zombies. Wade and his daughter could have ended up exactly in the same situation as a result of worldwide famine, cataclysmic climate change or End Times. It doesn’t matter. For me, the poignancy is most present in those quiet moments when Wade and his daughter are sharing a memory or a laugh. It’s when he desperately tries to get her to eat something to keep up her strength. And it’s when she’s starting to turn and he exhorts her to fight and stay human.
Box Office Fiasco
‘Maggie’ bombed at the box office. As of this writing, it has earned only $187,112 domestic, according to BoxOfficeMojo. And that’s a shame. I think perhaps LionsGate may not have known how best to market this film. I sympathize, though. As soon as you say “zombie” and Arnold Schwarzenegger, audiences are going to have certain expectations. I wouldn’t be surprised if they were thinking guns, brains, and lots and lots of blood. Too bad. This movie is not that.
I’m really hoping ‘Maggie’ does well on video. It deserves an audience—the right audience.