Peeling away the layers of anything is usually a mistake. Just ask someone who has had to use sharp tools to prise old wallpaper off the plaster walls of an ancient house. Sometimes, you’ll discover a kid’s crayon drawing of a scarecrow. But other times, you might find something sinister—like dead cockroaches.
The Locksmith reminded me of this nasty renovation business because the protagonist, Jude, is naturally curious and insists on getting to the bottom of things, especially in relationships and usually at her peril. Unfortunately, her children and new life partner must be pulled along to suffer the consequences. But it’s for their own good, you understand.
The writing is accomplished and the characters vivid, but I was disappointed by the ending. The author does such a beautiful job of building toward a natural—inevitable—denouement, then snatches it away in a sharp turn to the right. No spoilers here, but I think she would have done well to adhere to Chekhov’s gun principle. That said, the book is most certainly worth reading for fans of dark mysteries and slow-boil suspense.
You can find this review at Goodreads.
Jude doesn’t like secrets, they breed poison, but she knows her husband is hiding something from her. To uncover the truth she flees with her three young children to stay with her mysterious mother-in-law, Audra. Through Audra, Jude believes she can uncover the truth that will heal them all. Only Audra has secrets of her own and will stop at nothing to keep them.
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