Greetings! Is it hot or what? Don’t you wish you were this dog right about now? No? Just me, then, I guess.
The Blood She Wore, Book 3 in the Sarah Greene Mysteries series, has a publication date—November 2, 2020.
For now, I’m making the ebook exclusive to Amazon, which means Kindle Unlimited subscribers can read it for free. As always, the paperback edition will be available everywhere. I plan to put the book up for preorder three weeks prior at 99 cents. On launch day, the price is $4.99.
With this novel, I’ve completed a trilogy that takes our intrepid hero Sarah Greene from stumbling onto a haunted mirror to a terrifying confrontation with the insidious evil that is plaguing Dos Santos. If you love the supernatural, you won’t want to miss this riveting conclusion.
In the meantime, here’s a sneak peek of the book cover. Let me know what you think in the comments.
Speaking of ghost stories, check out this new release, Mexican Gothic by Silvia Moreno-Garcia. This is a bone-chilling story of horror and madness set in the countryside of 1950s Mexico. You can read my review here.
If you are an Amazon Prime member, check out the new My Spy, starring Dave Bautista. It’s cute and funny, and there’s plenty of action. Pure escapism, my friends.
See you next month, when I attempt to set up an outdoor grill station for Labor Day. Don’t worry, I already purchased a fire extinguisher. Peace and love.
If you’re looking for classic gothic horror that doesn’t shy away from the macabre, you can’t do better than Mexican Gothic by Silvia Moreno-Garcia. For me, the best ghost stories are those that place the unwitting protagonist in a situation she has no desire to be a part of. In this case, the unlucky girl is Noemí Taboada. She is rich and spoiled, and her chief concern seems to be which party she will attend next. Like the best heroes, though, Noemí is layered. She’s whip-smart, headstrong, and caring. And a little calculating. Her cousin is in trouble somewhere in the countryside, and Noemí’s father wants her to investigate. She agrees, but not before obtaining a quid pro quo. And so, with enough dresses and shoes to weather a trip abroad, she embarks on a lonely journey to High Place.
Sometimes, stories of horror and madness escalate too quickly, subjecting the reader to a dizzying intensity that’s difficult to sustain without resulting in boredom. That’s not the case with this novel. What I loved best about the book is the author’s carefully crafted ascent that, like the town situated below High Place, takes its time. But there’s a dark side to this kind of storytelling; Noemí is on an inexorable path that must deliver her to her final destination. The question, of course, is whether she and her ailing cousin will survive the journey.
When you read Mexican Gothic, fix yourself a nice cup of hot chocolate. Wrap yourself in your favorite blanket and prepare to experience a deliciously original tale—a deathless dream of family gloom.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
Greetings! Well, summer is in full swing, and most of us are still sheltering; still wondering if face masks are going to be a permanent thing. I sincerely hope you and your loved ones are well and that you have found ways to be happy in these extraordinary times. Me, I’m still writing. Speaking of which…
As I mentioned last time, I have finished Book 3 in the Sarah Greene Mysteries series. I sent it off to be copyedited, and I have commissioned the cover. In the meantime, take a look at the title and blurb.
The Blood She Wore
After finding a cursed object in her house, Sarah is driven to solve the mystery of why the town’s founder, John Dos Santos, turned to the demonic. Meanwhile, the streets are plagued by a terrifying wave of violence that includes the ritualistic killing of strangers. As Sarah gets closer to unearthing the truth, she discovers a connection to John that centers around the year 1925. But what is more frightening is the recurring vision of his housekeeper’s ghost covered in blood.
With this book, I have created a trilogy that takes Sarah from discovering a dead girl in a mirror to full-on evil erupting in the town of Dos Santos. It’s a journey that will test Sarah’s faith and take her to the brink. The book is scheduled for publication on November 2, 2020.
As a reminder, for those of you who are Kindle Unlimited subscribers, you can read Book 1 and Book 2 now for free.
What Has Mother Done is a first-rate mystery thriller that features lots of twists and turns and wicked humor. You can read my review here.
If you’re in the mood for a cozy mystery with time travel, check out Tea, Anyone? by my friend and USA Today bestselling author S. R. Mallery.
For those of you with a Netflix account, take a look at this scary movie, It Comes at Night. I thought the actors were convincing and the writing and directing tight. This film shows you what happens when the line between survival and paranoia is erased.
Stay well. See you next month, when I continue my search for face masks featuring members of The Monkees.
I’m just going to come out and say it. Barbara Petty is a little sneaky. When I began reading What Has Mother Done, the author introduced a story that could easily have been a cozy mystery. Sure, right off the bat, there’s a body. But we’ve got a main character who is wicked-funny with her internal thoughts and asides pitted against the proverbial small town where everyone—and I mean everyone—has a secret.
Petty’s Thea Browne is no ingenue, either. She’s a hard-bitten investigative reporter who has been around the block a few times. When we meet her, she faces the bleak prospect of looking after her recently widowed mother, who suffers from Alzheimer’s. During the investigation, Thea is forced to put up with her best friend, Annie, who has gone a little wonky of late. And she must also deal with her sister, Beryl. Yeah, they don’t get along. As if all that wasn’t enough, let’s throw in some hot flashes.
Yes, the story could have been a perfectly respectable cozy mystery. That is until the body count goes up. What Has Mother Done is a first-rate mystery thriller. The characters are engaging—and often frustrating. As Thea goes about trying to solve the mystery of her stepfather’s untimely death, I found my pulse quickening. If you enjoy smartly written scenes of small-town intrigue, violence, and questionable loyalties, then I suggest you check out this excellent novel.
In a small Midwestern town, on a cold, blustery March day, a man plunges to his death off a high, rocky cliff, setting in motion a string of events that lead to murders and rips open the long-hidden secrets of the town’s most prominent family…
The man is George Prentice, and the woman the police suspect of murdering him is his wife, Daphne. But Daphne has Alzheimer’s and, as she is likely to be incompetent to stand trial, has not been arrested.
Daphne’s daughter, Thea Browne, is a trained investigative reporter, who is furious that the police haven’t bothered to look any further for a culprit other than her mother. She suspects her stepfather made enemies when meddling in local politics and, according to one of his cronies, George wrote a memoir threatening to “blow the lid off this town.”
As Thea follows her own investigation, she discovers a widening circle of suspects, some much closer to home than she expected. Even her best friend from childhood, Annie Biggs, seems to be keeping a deep dark secret that she refuses to share with Thea.
More murders push Thea to the point where protecting her mother forces her to put her own life on the line to track down a diabolical killer.
Today, I had the pleasure of being a guest over at The Kill Zone. These guys are first-rate authors. Take a look at my post and decide whether I measure up.
If, as Stephen King likes to say, the road to hell is paved with adverbs, then finishing a novel is paved with mouse traps; and here you are trying to get across that minefield in your bare feet. As writers, we tend to get distracted—a lot. Thanks, Netflix. And then, there’s life. How many of you have said, “If only I could focus exclusively on my writing, I’d finish this damn book, by cracky.” I know I have. Repeatedly over the years, much to the irritation of my long-suffering wife.
Then, a little thing called COVID-19 happened. We were told we had to shelter in place. Sure, there was still Netflix and Amazon Prime to distract us, but we couldn’t go anywhere. What’s a writer to do? Well, like the wily poker player whose bluff was called, I decided to shut up and write. And guess what, I finished the damn book.
Pantsers Are People, Too
I’m a pantser by trade. That means I don’t have a clue where I’m heading when I begin a new book. That’s not entirely true. I do know where I would like to end up, but I haven’t worked out the details. I have a main character in mind, of course. And I’m pretty clear on the conflict arising between the mc’s goal and the thing standing in the way. Other than that, I’m free as a bird when it comes to the plot. I suspect that some plotters look at pantsers as undisciplined children with uncombed hair and sticky fingers. My image of a plotter is a person who dresses impeccably and has an English accent. Borrowing from the wonderfully insane film Galaxy Quest, plotters are Alexander Dane, while pantsers are Jason Nesmith.
The book in question is the third in my supernatural suspense series, Sarah Greene Mysteries. My main character sees ghosts, which tends to get her into serious trouble. Over the course of the three novels, Sarah goes from discovering a mirror that holds the spirit of a dead girl to the entire town pretty much erupting into flames. Now, as a card-carrying pantser, I had no idea how I was going to go from a murder mystery to Armageddon. I had to trust that the characters would get me to my destination. Spoiler alert—going about crafting a novel this way requires you to rewrite. Often. That’s the downside. The upside is, there are lots of opportunities for discovery. And then, there is what I like to call the happy accident, which in my opinion, is a gift from heaven and makes for a better story.
Steven Ramirez’s book is the winner of the Horror category in the 2020 Next Generation Indie Book Awards, the world’s largest book awards program for independent publishers and self-published authors. The winners and finalists will be honored June 26 in an online event which will stream live on Facebook at https://www.facebook.com/NextGenerationIndieBookAwards at 8:00 pm (Eastern Time) and 5:00 pm (Pacific Time).
2020 is the 13th year of the not-for-profit book awards program. Outskirts Press, an independent book publisher which provides services for self-publishing authors, was a Silver Sponsor of this year’s awards.
The Next Generation Indie Book Awards are judged by leaders of the indie book publishing industry, including many with long careers at major publishing houses. Their love of a great read and experience in the publishing arena identify books deserving a wider audience.
In an article at CNN.com titled If it’s cool, creative, and different, it’s indie, journalist Catherine Andrews wrote: “The term ‘indie’ traditionally refers to independent art – music, film, literature or anything that fits under the broad banner of culture – created outside of the mainstream and without corporate financing.” That definition remains true for book publishing.
Independent book publishing companies are independent of the major conglomerates dominating the book publishing industry. Indies include small presses, larger independent publishers, university presses, e-book publishers, and self-published authors.
According to Catherine Goulet, Founder and Co-Chair of the Next Generation Indie Book Awards, “Like other independent artists, many indie book publishers face challenges that the industry giants don’t experience. The indies have to work much harder to get their best books into readers’ hands.”
“Authors and publishers who compete in the Next Generation Indie Book Awards are serious about promoting their books,” adds Goulet. “They aim to stand out from the crowd of millions of books in print.”
According to an October 2019 report by Bowker, publisher of the Books in Print database, the number of titles self-published in the United States grew to over 1.6 million in 2018, an increase of 40% over the previous year. “This trend is likely to continue as the quality of many self-published works now rivals that of traditionally published titles,” according to the report.
Worldwide, the United Nations Educational Scientific and Cultural Organization (UNESCO) estimates more than 2.6 million books are now being published in a single year.
To help indie authors and publishers reach a wider audience, the top 70 books in the 2020 Next Generation Indie Book Awards will be reviewed by New York literary agent Marilyn Allen of Allen O’Shea Literary Agency, or one of Ms. Allen’s co-agents, for possible representation in areas such as: distribution, foreign rights, film rights, and other rights.
This year’s awards event was originally planned to take place at Chicago’s Newberry Library, to coincide with the American Library Association Annual Conference, but was moved online due to the COVID-19 pandemic.
Other prize-winning books in the 2020 Next Generation Indie Book Awards include:
Top Non-Fiction Books
First Place Winner ($1,500 Prize)
Treasured Lands: A Photographic Odyssey Through America’s National Parks, by QT Luong (Terra Galleria Press)
Second Place Winner ($750 Prize)
The Chimpanzee Chronicles: Stories of Heartbreak and Hope from Behind the Bars, by Debra Rosenman (Wild Soul Press)
Third Place Winner ($500 Prize)
Feast of the Seven Fishes: A Brooklyn Italian’s Recipes Celebrating Food and Family, by Daniel Paterna (powerHouse Books)
Top Fiction Books
First Place Winner ($1,500 Prize)
Lucky-Child: The Secret, by Dr. Chelinay Gates aka Malardy (Tellwell Publications)
Second Place Winner ($750 Prize)
Eve of Snows, by L. James Rice (Twelfth Star Publishing)
Third Place Winner ($500 Prize)
Marlon MacDoogle’s Magical Night, by Sean Covel and Diego Velasquez (Baby Buddha Publishing)
Top books were named as winners and finalists in over 70 publishing categories ranging from Action/Adventure to Young Author.
A complete list of 2020 winners and finalists is available at the Next Generation Indie Book Awards website at indiebookawards.com.
Where to Watch the 2020 Book Awards Event
This year’s event will be streamed live online and the public is welcome to watch. To see the 2020 Next Generation Indie Book Awards Presentation, visit https://www.facebook.com/NextGenerationIndieBookAwards at 8:00 pm (Eastern Time) and 5:00 pm (Pacific Time) on Friday, June 26.
I know, I know. I’ve been trying to get a newsletter out on a monthly basis. And I was doing pretty well there for a while. Then, May hit. Now, a lot of people would defend themselves by offering lame excuses like “I lost track of time” or “Was I supposed to do that?” Not me. I’m guilty, guilty, GUILTY. I messed up. There, I feel better. I hope you do, too. On with the show…
I have finished writing Book 3 of my Sarah Greene Mysteries series, and the manuscript is off to the editor. Originally, I had planned to publish the novel next year. Well, this one should be out in late 2020. At that time, I also plan to release a box set containing all three books.
For those of you who are Kindle Unlimited subscribers, you can read Books 1 and 2 for free. And speaking of KU, I’ve decided to move all my books to Kindle Unlimited. By the time you read this, everything should be available.
As I said in my review, Cades Cove by Aiden James is one mother of a scary book. If you like ghost stories filled with history and dark magic, check it out. You can read my review here.
The Gun by Fuminori Nakamura is a different kind of novel. Reading it, I couldn’t help imagine Holden Caulfield as an angry Japanese man with a weapon. It’s a fascinating story. You can read my review here.
For those of you with a Netflix account, check out Black Spot, a dark thriller set in a French town located near a forest. Maybe it’s the trees, but the inhabitants of this town are seriously messed up.
And for you Amazon Prime members, if you like English dramas, then An Inspector Calls might be your cup of tea. It’s based on the play by the esteemed J. B. Priestley.
Stay well. See you next month, when I try to locate a swimming pool that only allows one person at a time. Peace and love.
Hey, check out this Girl Who Reads review of Book 2 in my Sarah Greene Mysteries series, House of the Shrieking Woman. Many thanks to MK French. Oh, and regarding any unanswered questions and clarity regarding the plotline, fear not. Book 3, coming out later this year, wraps up everything nicely and even puts a bow on it.
House of the Shrieking Woman takes place three months after the first novel, so Sarah is traumatized and dealing with the physical and psychological effects of what had happened. If you haven’t read the first novel, it’s alluded to in the sense that Sarah can see spirits, almost died, and was seriously injured. Others were involved, as well as a hidden room and a cursed object, and all of them are dealing with the trauma in their own way. Some of it is outlined, enough that you can hit the ground running with this one. I like that the trauma is realistically dealt with, that Sarah is in therapy, and is dealing with the fallout. A lot of series have the main character bounce from one event to the other as if nothing happened, and charge right in when something weird and creepy happens. Here, Sarah is cautious and knows that there is danger. It makes her more realistic to me.
Much like in the first book, we have an investigation into the past to explain what might be happening in the present. Charlie and a nun explore Guatemala to figure out what happened to Ana before she emigrated to the United States, and Sarah tries to explore the possible explanations for the dark spirits and self-mutilation in the shelter. As the novel progresses, the mystery deepens and we find out more details that point to demonic possession and malevolent spirits. There is a quiet menace, which becomes more and more creepy over time. It reminds me of movies that involve demonic possession and exorcisms, with the rising tension as everyone gets drawn into it and you fear for who is going to be next. This is especially true in the final third of the book, when things progress rapidly.
To read the rest of the review, as well as see more thrillers, click here.
Okay, I’ll just say it. Cades Cove: The Curse of Allie Mae, by Aiden James, is one mother of a scary book. Immediately, I became caught up in the story of a man with questionable judgment who, through a seemingly innocuous act, stumbles into a world of sheer mayhem. As a result, he puts not only himself but his family in danger. What starts out as the innocent taking of a souvenir from a magical vacation spot soon turns into an unrelenting reign of terror conducted by the vengeful ghost of a dead girl.
This kind of story has been told countless times. In lesser hands, it might have been trite. But the author has taken great pains to create a rich world of Appalachian and Native American folklore that lends an incredible depth to the haunting tale of a young Tennessee girl wronged in another century. I particularly enjoyed James’s meticulous description of a Sioux ritual meant to protect the protagonist, David Hobbs, and his family.
If you enjoy novels that harken back to an earlier, less civilized time in America and feature nail-biting scenes of supernatural horror, then I suggest you read Cades Cove: The Curse of Allie Mae. It will be well worth the nightmares.
Buried deep in a ravine in the picturesque Smoky Mountains is a very dark secret.
David Hobbs, vacationing with his wife Miriam, inadvertently stumbles upon a small cloth ‘keepsake’ bag and a broken tooth. A human tooth. Miriam begs David to hand the bag and tooth over to park officials, but he ignores his wife’s pleas and secretly keeps the ‘harmless’ items. The action opens a doorway that had been closed for nearly a hundred years and unleashes hell on earth, or at least hell in the lives of David and Miriam.
Following the brutal murder of his best friend in Denver, and unprovoked attack on his oldest son, David desperately seeks to understand why a mysterious teenage girl has chosen to terrorize him and the males closest to him. To prevent further devastation to his family and end the wanton bloodshed, he returns to the enchanted hills of eastern Tennessee, where a terrible truth awaits discovery… one that forces him to face the consequences for the unpaid sins of his ancestors.
As I read The Gun by Fuminori Nakamura, Holden Caulfield immediately came to mind. Both novels are told in the first person. And both characters are alienated, though Nishikawa gets the prize. He hangs out with friends he is not close to, has sex with girls he cares little for, and attends school because he has nothing better to do. Wandering the Tokyo streets seems to calm him. One night, when he discovers a dead body, his life changes. But it’s the gun lying next to the corpse that intrigues him, and he becomes obsessed.
Chekhov wrote that story elements should not make false promises. If we see a gun at the beginning, then someone must use it. Nakamura takes this principle to heart as he weaves his tale of ever-growing madness. He builds an almost unbearable tension as Nishikawa tries to decide when and where to fire the weapon. In the meantime, the character’s personal relationships continue to suffer. Feelings of hatred emerge, making the threat of violence more palpable.
The Gun is a taut thriller that begs the question, “Was Nishikawa already crazy, or was it the gun that made him so?” If you enjoy nail-biting crime fiction, then I highly recommend this book.
A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him.
On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.