Tell Me When I’m Dead New Edition Cover Reveal

Forget world events for a second, people. The big question of the day is, what in the world have I been spending my time on for the past six months? Don’t worry, it’s good news. Late last year, I decided to create a second edition of my horror thriller trilogy, Tell Me When I’m Dead. That means updated chapters and (wait for it) new covers! Also, I am finally creating print versions of the books for those of you who prefer the feel of paper to an eReader.

I plan to release the books in July, but in the meantime, I wanted to give you a sneak peek at the new covers. I hope you love them as much as I do. Ready? Here goes.

Book One—Tell Me When I’m Dead

TMWID Cover Reveal

“As Dave’s life slowly starts to unravel, and the body count continues to grow higher through the help of an unknown virus, he is left with a gruesome choice: either wallow in his sorrows or stay alive. In this thrilling novel, Ramirez details an antihero’s struggles for family and love, and to find beauty in a world ruled by the dead.” — Readers’ Favorite

Thanks to Holly, a beautiful, strong-willed woman, recovering alcoholic Dave Pulaski is getting his life together. Then, a plague decimates the town, turning its victims into shrieking flesh-eaters who hunt the living. Now Dave, Holly, and a band of soldiers must kill the living and the dead to survive. But Dave is this close to drinking again. A woman he cheated with—and no longer human—is after him. The hordes of undead are growing, and the beleaguered security forces are far outnumbered. Hell has arrived in Tres Marias.

Book Two—Dead Is All You Get

DIAYG Cover Reveal

“Dead Is All You Get is cunningly plotted, and the author uses suspense to deepen the quality of horror as he creates scenes that make the reader feel like something could go wrong at any moment. A lot happens in this story, and the pacing is fast and the action intense. The writing is filled with enjoyable and engaging dialogue that enhances the reading experience of this gripping story. Great prose, sophisticated characters, and a very clever plot.” — Readers’ Favorite

After months of fighting the hordes of undead ravaging the town of Tres Marias, Dave Pulaski and his wife, Holly, catch a break when Black Dragon Security suddenly shows up to rescue them. But things are about to get worse. The virus is mutating, and the infected are getting smarter. Then, while struggling to protect Holly and those closest to him, Dave discovers the truth behind the contagion—a revelation that will drive him past the limits of faith and reason.

Book Three—Even The Dead Will Bleed

ETDWB Cover Reveal

“This action-packed zombie gore-fest is not for the faint of heart as carnage and rising body counts are described in stomach churning, gruesome detail, but at no point is character development sacrificed. There is a perfect balance of character growth and development, action, intrigue, and suspense that will keep the reader hooked from the first page to the ultimate conclusion. I’ve read my fair share of zombie style books, and this one certainly stands up there with the best. It’s not your run-of-the-mill, mass-produced, zombie book; rather, it is intricately designed, well executed, imaginative, and plausible.” — Readers’ Favorite

Dave Pulaski is headed to Los Angeles to kill Walt Freeman, the man responsible for the out-of-control human experiments that devastated his hometown of Tres Marias. But the mission goes sideways when Dave decides to rescue Sasha, a Russian girl who escaped Walt’s secret testing facility. Now, pursued by a ruthless, ex-military sociopath working for Walt and by scientifically engineered humans who flay their victims alive, chances are good that Dave will die before he can save the girl.

TELL ME WHEN I’M DEAD—Stumbling into Hell

[Steven Ramirez Portrait 2016]Hey, I wanted to let you know that I had the privilege of doing a guest post at Horror Made, a site run by the amazing and charming artist Jeanette Andromeda. You can read an excerpt below, and when you’re finished be sure to check out some of Jeanette’s art here. In fact, take a look at what she did with my boring old headshot—wow! This girl has a real gift, and I am thrilled to have made her acquaintance! Okay, here we go…

In 2013, I published what I thought would be a single novel about a regular guy fending off zombies in the fictional Northern California town of Tres Marias. Though I’m a pantser by trade, I had the whole thing figured out in my head. I would take the recovering alcoholic Dave Pulaski on a soul-bending journey of sorrow that would cause him to inadvertently put his wife, Holly, at risk while he struggled to stay sober, even as the body count was going up. But when I finished the book, something happened.

“Dave’s not done,” I said.

And so began the long, hard road to the Tell Me When I’m Dead trilogy. In 2014, I published Book Two, Dead Is All You Get. And in 2015, I brought Dave to the end of his trials with Book Three, Even The Dead Will Bleed.

Pantsers and Plotters
I mentioned earlier that I’m a pantser—as opposed to a plotter, who carefully outlines their book the way a draftsman creates a blueprint. I tried doing that a few times with other stories. But the same thing always happened. Fifty pages into the outline, I would get fed up and start writing the damn novel. Want to know another thing about outlines? You don’t always end up going where you thought you would, once you actually begin writing. Plotters will tell you they love being surprised. Well, in my defense, I am surprised every moment I write.

Don’t get me wrong. I’ve got nothing against plotters. In fact, some of my best friends… Okay, never mind. The point is, both types of writers turn out brilliant fiction. How you get there is more a function of how your brain is wired. Moving on…

You can read the rest of this post over at HorrorMade.com.

TELL ME WHEN I’M DEAD Box Set Sale—Last Day!

[TMWID Box Set Ad]LAST DAY!
Sometimes you can find a truly surprising deal—like the one I am offering this month. This is the last day to purchase TELL ME WHEN I’M DEAD: The Complete Trilogy at Amazon for a cool ninety-nine cents!

So, if you haven’t gotten into the dark, twisted world of Dave Pulaski yet, I suggest you skip the Cinnamon Spice Tic Tacs and buy this book instead.

Oh, and one last thing—when you’ve completed the journey, please leave a review. Good or bad—doesn’t matter. Reviews count.

Happy Halloween and happy reading!

Yes, I Am Ready to Buy!

Ginger Nuts of Horror—5 Minutes with Steven Ramirez

[Steven - Friendly (Thumbnail)]Hey, check out my author interview over at Ginger Nuts of Horror. And thanks so much to Jim Mcleod for the opportunity. I had a great time doing it.

 

Could you tell the readers a little bit about yourself?

In college, I started writing screenplays. I did that for a number of years. If you live in LA, you sort of have to. I managed to sell one that was made into a feature film. At some point, I decided fiction was a better way to go. I’ve published a horror thriller trilogy called TELL ME WHEN I’M DEAD and have written another novel and a novella—both of which I hope to publish soon.

What do you like to do when you’re not writing?

Well, I have a family I am devoted to. I love to read, and I also like to watch movies and television.

Other than horror, what other things have been a major influence on your writing?

Crime fiction has always appealed to me. If you think about it, often characters do horrific things when committing crimes. Usually, it’s out of desperation.

Do you prefer the term Horror, Weird Fiction or Dark Fiction?

I love the term Dark Fiction because it covers a lot of ground. When some people talk about Horror, they are imagining serial killers. Others prefer demons and the paranormal. And some think of fantasy. In my trilogy I chose zombies.

Who are some of your favourite authors?

There are many, but I will name a few I very fond of: Jack Finney, Richard Matheson, Shirley Jackson, and Patricia Highsmith.

What is your all-time favourite horror novel, and film?

For book and film, The Exorcist and Rosemary’s Baby. For film alone, The Conjuring and The Conjuring 2.

How would you describe your writing style?

Okay, this is where my ego enters the room. I’ve always wanted a reviewer to describe my style as “visceral and immediate.” Let’s go with that.

Are there any reviews of your work, positive or negative that have stayed with you?

Someone recently reviewed Book One of the trilogy and said, “Very nearly as good as Stephen King.” That means a lot to me because King is a master of the craft of writing.

To read the rest of the interview, jump over to Ginger Nuts of Horror.

Not Everything That’s Cheap Is Bad

[TMWID Box Set Ad]That’s right. Sometimes you can find a truly surprising deal—like the one I am offering. For the entire month of October, you can purchase TELL ME WHEN I’M DEAD: The Complete Trilogy at Amazon for a cool ninety-nine cents!

So, if you haven’t gotten into the dark, twisted world of Dave Pulaski yet, I suggest you skip the Cinnamon Spice Tic Tacs and buy this book instead.

Oh, and one last thing—when you’ve completed the journey, please leave a review. Good or bad—doesn’t matter. Reviews count.

Happy Halloween and happy reading!

Yes, I Am Ready to Buy!

Pulp or Poet?

[Size Mismatch]
Photo courtesy of Miguel Castaneda
via Creative Commons

A writer’s life is nothing, if not angst-filled. Each day, we struggle with dilemmas—most of our own making and many imagined. As for me, I like to battle my demons in private. The best course, I feel, is to put that kind of drama into my writing and let my characters live in Hell. But, frankly, I just can’t take it anymore, and I need to spill. So please, bear with me.

I’ve been writing for more years than I care to admit. In my twenties, I devoted my energy to screenwriting. Great idea, jefe. Get to the end of the line behind the thousands in LA already slaving away at what they hope will become the next ‘Captain America.’ Though I did manage to sell one screenplay and see it made into a movie, I never really enjoyed the success I was hoping for.

When indie publishing came along—mostly thanks to Amazon—everything changed for me, as it did for many other aspiring authors. For years, I had been amassing ideas for novel-length books, and the only thing stopping me from ordering my sport coat with the suede elbow patches was the terrifying thought of trying to secure a literary agent. Weak, I know. But enough about that.

My Eternal Dilemma
I’ve always aspired to write well—as opposed to banging stuff out fast for the money. And, believe me, if you’ve ever downloaded free books to your Kindle, you know what I’m talking about. There’s a lot of crap out there—a lot. And what frustrates me is the fact that this drivel sells—way better than anything I have written. Which brings me to my current dilemma—am I a poet who wants only to create beautiful things (that don’t sell), or a successful pulp writer who’s in it for the money?

My personal belief as to why a lot of indie books sell has nothing to do with quality. Sure, they have to have some semblance of plot and structure. Of course, the cover shouldn’t make you puke. And the formatting has to be at least good enough for you to be able to read the thing without getting vertigo. But what these books have going for them, I feel, is that they are catering to a successful genre. Like Romance.

Now, before you get all huffy and threaten to take my lunch money, let me explain. I am not trying to say anything bad about Romance writers. In fact, sometimes I wish I were one so I could sell more books. What I am saying is, must I write in genres that sell, rather than what I am interested in? It’s a great question.

Romance Rules
So, why did I pick on the Romance category? Take a look at the May 2016 Author Earnings report, which you can find here. This is what they say about indie author earnings (bold text is mine):

Turns out there were 43 [invisible authors] lurking unseen in the dark spaces between Amazon’s bestseller lists, including one author invisibly earning more than $250,000 a year. Unsurprisingly, 30 of the 43 invisible six-figure earners — including the top earner — were self-published indie authors. Most were writing in the Romance Fiction genres, but there was also an indie author of editor’s-choice Cozy Mystery Fiction, and even more surprising, a traditional-award-winning indie writer of Literary Fiction. We happen to think that’s pretty cool.

Cool, indeed. I have a number of writer friends—many of whom publish Historical Romance, Regency Romance, Contemporary and New Adult Romance. It’s my sense that they are doing pretty well. But here’s the thing—from what I can tell, they actually enjoy writing Romance. So for them, this is the best of all worlds.

A Genre Comparison
Not to put too fine a point on it, but I would like to provide an illustration of what I am talking about. The following excerpt is from my horror thriller novel, Even The Dead Will Bleed: Book Three of Tell Me When I’m Dead. Notice that the writing is purposeful and dark—just the thing for pulp fiction:

The girl was pretty with long, light brown hair and frightened blue-grey eyes that were almond-shaped—slightly Asian—and ringed with dark circles. Her full lips were pink and moist, her skin fair and blemish free. She couldn’t have been more than nineteen or twenty. I looked at the back of her hand and noticed a red needle mark—probably from an IV.

“Are you in danger?” I said.

Still nothing. I glanced left and right to see who might be watching. Then I released her arm and took a step back, my open hands away from my pockets. I thought she would bolt, but she stood there unsure, looking at her bare feet, which were dirty. Her shoulders jerked up and down and I realized that she was crying. I remembered what Becky had said when the alarm went off—someone’s escaped.

I wasn’t sure what to do. She must’ve broken out of Hellborn, and now they were looking for her. I didn’t want to leave her there—not like this. She needed help. But I didn’t want to get mixed up with a kid. Griffin, the girl Holly and I had rescued in Tres Marias, had turned out well—and I thanked God for her—but I needed to be alone to complete my mission.

“I’m Dave,” I said. “What’s your name?”

She looked at me steadily. I didn’t know what new hell I was signing up for. It was pretty obvious that it would involve more than slipping her twenty bucks and wishing her good luck. When she spoke my blood went cold.

“Don’t let them find me!” she said.

 

Here is another excerpt—this time from my latest, unpublished Young Adult novel, Chainsaw Honeymoon: A Ruby Navarro Disaster. Not to brag, but this might even border on the literary. See if you agree:

A loud yawn startled me. It was Dad. How long had he been standing there?

“Come on, Rube, it’s late,” he said.

And by the way, when did he get all parental? Mom must’ve had a talk with him.

“No-uh,” I said. “I need to figure out this sequence.”

Between you and me, I was struggling to keep my eyes open.

Gently, he closed the laptop and guided me to my bed. As I dug through the duffel bag for my pajamas, I felt something foreign. Removing my hand, I saw Mr. Shivers. How had he gotten in there again? I thought I’d left him in the closet back home. Too exhausted to care, I tossed him into a chair, where he landed in a sitting position.

“Tomorrow, I could use your help setting up the Roku,” Dad said.

“Aghh, you’re so pathetic. Fine, I’ll see what I can do.”

I let go of a major yawn. Smiling, he gave me a bear hug, practically squeezing the air out of me.

“Ooh, I thought I heard a fart.”

“Dad, that’s so rude!”

“It used to make you laugh.”

“When I was five.”

“Good night, Rube. Brush your teeth.”

He and Mom had definitely spoken. I wondered vaguely if he was going to go off and practice The Beggar’s Sideshow per Mom’s instructions. Before he left, I broke down and decided to spill. After all, the man deserved to know the truth. I picked Ed up and put him on my lap for moral support.

“Dad?”

“Yeah, baby?”

“She is moving on, you know.”

He was leaning against the doorframe, staring at me intently. I could almost see the man hormones keeping his emotions in check. Barely. His face was a mosaic of disappointment, anger and disbelief. He smiled sadly and, without another word, closed the door behind him. See, this is the difference between women and men. I would be throwing things at this point.

 

The point is, I didn’t research the markets for either of these works—I just sat down and wrote them because I felt like it. We’ll see if the charming and perspicacious Ruby is enough to help me sell some books.

Sage Advice
I am currently reading How to Make a Living as a Writer by the well-respected author and teacher James Scott Bell. His book offers clear, practical advice on how to actually pull off what he promised in the title. One thing he suggests is studying bestselling categories on Amazon and making a conscious decision to master that market, then cranking out your own novels. Here is what he has to say:

I believe a writer should love his genres. But you can learn to love a genre. Sort of like an arranged marriage.

Nicholas Sparks did this with his own career. He went into it like a businessman. He looked at the bestselling genres and discovered that each one had two big names that dominated. At the same time, a surprise book emerged called The Bridges of Madison County. It was a tear-jerking love story written by a male author. And it exploded.

Sparks decided he could be the second name on this unique subset — men who write tear-jerking love stories.

He’s done pretty well.

Now, from a business point of view, he’s absolutely right. But in the words of Jerry Seinfeld when asked to wear the puffy shirt, “But I don’t want to be a pirate!”

If I were more practical, I would begin immediately my own market research and get to writing that puffy shirt book. But to be frank, Romance isn’t really my thing—unless guns or time travel are involved. Besides horror, I am drawn to Thriller, Mystery and YA. Having said that, though, if I follow Mr. Bell’s advice, I am still going to have to research what sells within those categories. And I’m not sure I want to write a political thriller, for example. So, I am almost back where I started.

In On Writing, I seem to recall Stephen King referring to himself as a “journeyman writer.” Here is a guy who consistently cranks out solid work in a genre he loves—and who makes a very good living. But he is practical, too. He knows he is a business. I’m still working on that concept.

What to Do?
As I said, I have a new book coming out, written without the benefit of checking in on bestselling categories. I hope it does well. If it doesn’t, I may decide that my next novel needs to have the word “girl” in the title. It doesn’t take a ton of research to know that those seem to be doing very well lately.

The TELL ME WHEN I’M DEAD Summer Sale Is On!

[DIAYG 3D Cover (Small)]Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) is on sale everywhere. If you haven’t purchased Book Two yet, now’s your chance to grab it for $1.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Book Blurb
Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) combines the best elements of horror, dark fantasy and sci-fi, taking the reader on a relentless, tortured journey of survival that tests the strength of one man’s character and delves into the role Faith plays when he is confronted by the worst kind of evil—the evil in humans. If you like your thrillers dark and fast-paced, then read this mind-blowing sequel. And leave the lights on. “A shoot first then shoot again horror thriller of the highest order” (Simon Oneill)

[ETDWB 3D Cover (Small)]Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is on sale everywhere. If you haven’t purchased Book Three yet, now’s your chance to grab it for $1.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Book Blurb
Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is a dark fantasy, sci-fi thriller—a nonstop horror train—that will deliver Dave to the brink of Hell. Revenge is a powerful drug that can drive a man to do unspeakable things. But as he will learn, Faith can give him the courage to face death without fear. If you like your thrillers dark and fast-paced, then don’t miss the heart-pounding conclusion to this trilogy. “Faith and bravery band together to fight a horrific world turned upside down and inside out” (S.R. Mallery).

[TMWID Box Set (Medium)]Box Set: TELL ME WHEN I’M DEAD (The Complete Trilogy) is on sale everywhere. Now’s your chance to grab it for $2.99 US.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Tell Me When I’m Dead (Book One of TELL ME WHEN I’M DEAD)
And if you haven’t read the series at all, note that Book One is always free.

Buy Links
Amazon
Barnes and Noble
iTunes
Kobo
Smashwords

Happy reading!

Fiction and Profanity—F-Bombs Away!

[Slim Pickens Riding the Bomb]
Photo courtesy of Sony Pictures

Recently, I reread an autobiographical novel I had written a number of years ago, thinking I could tidy it up for publication. Though I enjoyed much of the writing style, I was horrified at the frequency of f-bombs. Why? Because I don’t write that way anymore. And I couldn’t even defend the use of these words as critical to the genre. This book is essentially a dramedy—Life, Love and the pursuit of sex.

Some time after, I read an interesting post by PJ Parrish, which is a pseudonym for sisters and writing partners Kristy Montee and Kelly Nichols (see “Profanity in Crime Fiction: Reality or Lazy Writing?”). In it, they state …

There are different reasons why readers dislike profanity in their fiction. It can [be] colored by religious conviction, personal morals or just plain old taste. Authors are guided by the same impulses. Mark Henshaw, a Mormon crime writer, wrote a blog “Why I Don’t Use Profanity,” saying, “My short answer to the question is: because my mother reads my books. My long answer is a bit more involved.”

A Religious Debate
There are any number of articles and blog posts about whether foul language belongs in good fiction. If you’d like to test that assertion, try a Google search on “fiction and profanity.” According to Montee and Nichols, some authors write blue because they feel it’s required to make their novels realistic. Others, like Mark Henshaw, leave it out because their mothers are reading their books.

Now, I am not a prude by any stretch of the imagination. I have been known to let go, using strings of colorful expletives the way Rumpelstiltskin spins straw into gold. And I don’t happen to think most good writers choose profanity out of laziness either. Nevertheless, I’ve chosen to leave that kind of language out of my writing. Not because I feel I am better than everyone else. It’s mainly a marketing decision. In other words, I don’t want to turn off any potential new readers because they can’t get past the swear words.

Being “Authentic”
Not to take sides, but I do want to address the question of authenticity in fiction. Apparently, some authors feel that in order to depict realistic worlds (e.g., war, crime, etc.), they need to use lots of swear words. Well, I don’t think that’s true. If it were, then why isn’t urban crime fiction littered with liberal doses of the N-word? I don’t care how “realistic” you think your fiction is. The fact that you are telling a story means you are creating a world that doesn’t exist. Sure, it can resemble the real world, but in the end, it’s fake. And thank goodness!

Think about it. What if you were to write about real life exactly as it is? Wouldn’t it be kind of, I don’t know, boring? People don’t like to read fiction that depicts real life—they read to escape to a different life. And, yes, you should see things that are familiar. But a good writer is drawing you in with great characters and a powerful made-up story. So, if you agree that this is the case, then who is to say you have to include the f-word just to make things seem real?

Profanity and Violence
Very often, violent stories go hand-in-hand with profanity. Just watch any R-rated action movie. But this is not always the case. Take ‘The Conjuring,’ for example. This film received an R-rating from the MPAA. Why? Because it’s scary and violent. Yet, there is no hardcore swearing anywhere in the movie, according to the parents’ guide. So to those who think you need this kind of language to appear realistic, let me ask you this—What better time to let off a few f-bombs than when your mother is possessed by a demon? Yet, none are found in ‘The Conjuring,’ and the story still works.

Many of you know I wrote the horror thriller series TELL ME WHEN I’M DEAD. At the time, I made a conscious decision not to use certain expletives. Sure, there is some mild cursing but nothing hardcore. And, again, if you’ve read the work, you’ll know that these books are violent as hell. Some may disagree, but I believe I have created a balance that works. In my fictional world, people can find themselves in horrible danger and not swear like merchant marines. And readers can still enjoy a powerful story.

So what are your thoughts?

EVEN THE DEAD WILL BLEED Is Free for Five Days!

[ETDWB 3D Cover (Small)]Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is free for download at Amazon March 23rd through the 27th, 2016. If you haven’t purchased Book Three yet, now’s your chance to grab it for free. Visit this link starting today and download the book to your Kindle.

 

 

Book Blurb
Dave Pulaski is headed to Los Angeles to kill Walt Freeman, the person responsible for devastating Tres Marias. But everything changes when he rescues Sasha, a Russian girl who escaped the facility where Walt was holding her. Pursued by a relentless ex-military sociopath working for Walt and by scientifically engineered humans who flay their victims alive, chances are that Dave will die before he can save Sasha.

Even The Dead Will Bleed (Book Three of TELL ME WHEN I’M DEAD) is a dark fantasy, sci-fi thriller—a nonstop horror train—that will deliver Dave to the brink of Hell. Revenge is a powerful drug that can drive a man to do unspeakable things. But as he will learn, Faith can give him the courage to face death without fear. If you like your thrillers dark and fast-paced, then don’t miss the heart-pounding conclusion to this trilogy. “Faith and bravery band together to fight a horrific world turned upside down and inside out” (S.R. Mallery).

Tell Me When I’m Dead
And if you haven’t read the series at all, note that Book One is always free. You can download it using the following links:

Amazon
Barnes and Noble
iTunes
Kobo
Overdrive
Smashwords

Happy reading!

DEAD IS ALL YOU GET Is Free for Five Days!

[DIAYG 3D Cover (Small)]Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) is free for download at Amazon March 23rd through the 27th, 2016. If you haven’t purchased Book Two yet, now’s your chance to grab it for free. Visit this link starting today and download the book to your Kindle.

 

 

Book Blurb
After months of fighting the undead ravaging the town of Tres Marias, Dave Pulaski and his wife, Holly, catch a break when Black Dragon Security suddenly shows up to rescue them. But things are about to get worse. The virus is mutating. Now, driven to discover the truth behind the contagion while struggling to protect Holly and those closest to him, Dave is pushed beyond the limits of faith and reason.

Dead Is All You Get (Book Two of TELL ME WHEN I’M DEAD) combines the best elements of horror, dark fantasy and sci-fi, taking the reader on a relentless, tortured journey of survival that tests the strength of one man’s character and delves into the role Faith plays when he is confronted by the worst kind of evil—the evil in humans. If you like your thrillers dark and fast-paced, then read this mind-blowing sequel. And leave the lights on. “A shoot first then shoot again horror thriller of the highest order” (Simon Oneill)

Tell Me When I’m Dead
And if you haven’t read the series at all, note that Book One is always free. You can download it using the following links:

Amazon
Barnes and Noble
iTunes
Kobo
Overdrive
Smashwords

Happy reading!